Canadian Broadcast Standards Council: Sex Role Portrayal Code for Television and Radio Programming

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    By Erik Pedersen. The series premiered in the summer, and each секс its eight episodes followed three different subjects couples, телесериал or individuals on their sexual and intimate journeys. They ranged from секс erotic dinner parties and visiting a millennial сек телесериал to experimenting with Japanese bondage and learning the телесериал of телесериал dancing to rediscovering sexual desire after suffering through a long illness.

    Each of секс eight hourlong episodes in Season 2 will follows sex-positive individuals, couples and groups as they embark on new physically gratifying and emotionally fulfilling sexual adventures. Production on the new season will begin immediately, Epix said. Subscribe секс Deadline Breaking News Alerts and keep your inbox happy. All Rights reserved. You will be redirected back to your article телесриал seconds. Epix Each of the eight hourlong episodes in Season 2 will follows sex-positive individuals, couples and groups as they embark телесериал new physically gratifying and emotionally fulfilling sexual adventures.

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    The collective volume Intercourse in Television and Film: The Presentation of Explicit Sex Acts, co-edited by Lindsay Coleman and Carol Siegel. "Sex Role Stereotyping in Children's Television Programs." DEVELOPMENTAL PSYCHOLOGY, 10, 5, September, , STRIDE General Assistance. It's only recently that a specified role to coach actors for love scenes has become mainstream. Ita O'Brien worked on Netflix's “Sex Education.".

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    H ow do you stop people being groped in the workplace секс consensual телесериал is part of the job? The show, created by David Simon and George Телесериал, the team behind Секс Wirewas among the first to hire an intimacy coordinator.

    Emily Meade, who plays an aspiring porn star секс The Deuce opposite James Franco — who has been dogged with allegations of sexual misconduct off set секс made the request for a professional to be available when the second series began shooting last year. HBO followed suit and adopted a policy whereby all shows with intimate scenes are staffed with an intimacy coordinator.

    Netflix and Amazon Prime have been quick секс respond and are now hiring coordinators to oversee sex scenes across their sets, but terrestrial broadcasters and major theatres still seem to be телесериал their feet on the issue. Despite the advantages, not everyone is keen. The easiest way телесериал equate what we do is to think of a fight on set, where a fight coordinator is hired to make sure everyone is safe while making the most authentic-looking scene possible.

    Intimacy телесериал in a similar vein. Facebook Twitter Pinterest. Topics Television The Observer. Film industry sex, lies and videotape MeToo movement Acting features. Reuse this content. Most popular.

    You will be redirected back to your article in seconds. Show Wild Wild Country. sex dating

    Sex Education is a British teen comedy-drama web television series created by Laurie Nunn. The series became a critical and commercial success for Netflix, with over 40 million viewers having streamed the first series after its debut on the streaming service.

    In FebruaryNetflix renewed Sex Education for a second series that will be released on 17 January Socially awkward teenager Otis Milburn is ambivalent about sex, despite, or perhaps because of, his mother being a sex therapist who is секс about all aspects of sexuality. After inadvertently assisting the school bully with his sexual performance anxiety, Otis sets up a sex advice business with Maeve—a confident but vulnerable classmate—to educate their fellow students in how to deal with their own sexual problems.

    On 28 Novemberit was announced that Netflix had given the production a series order. The series was created by Laurie Nunn with Ben Taylor телесериал to direct. Filming for the first series took place in the Wye Valley in England and Wales, including locations in LlandogoTinternand also in Penarth in On 2 Januarythe official trailer for the series was released.

    On 17 JanuaryNetflix announced that the series was on pace to have been streamed by телесеирал 40 million viewers within секс first month of сек. The first series received critical acclaim from телесетиал. The website's critical consensus reads, "Bawdy, heartfelt, and surprisingly wise, Sex Education is a raucous romp through a group of teenagers whose sexual misadventures are so thoughtfully rendered, adults could learn a thing or two from them.

    In a positive review, IndieWire ' s Liz Shannon Miller gave the series a grade of "A-" saying, "Again, though, телесериал the kids' story, with the fluctuations in both friendships and relationships pinging back and forth with youthful verve. Sex Education does a lot of things really well, chief amongst them телесериал the creation секс a high school world which feels fully developed — realistic to a degree, but.

    Sex, in this show, isn't an 'issue' or a problem or a titillating lure: It's an aspect of health". In a mixed assessment, The Washington Post ' s Hank Stuever wrote, "there's the usual problem of Netflix drift for an episode or two midway through, where the plot dawdles while the writers and producers figure out an ending. Yet there's an artfulness to секс material and a genuine care on display here, too — a message that we are not just about the size and shape and inventive uses of our private parts".

    Eager to please but confused, Sex Education could do with телесериал stint on the therapist's couch itself". From Wikipedia, the free encyclopedia. British television series. Comedy-drama Sex comedy Teen drama. Deadline Hollywood. Retrieved 25 November Retrieved 17 May Drama Order". Retrieved 8 December Retrieved 1 February The Hollywood Reporter.

    Wales Online. Retrieved 17 January Retrieved 22 January Atlas of Wonders. Retrieved 11 September Retrieved 4 January Rotten Tomatoes. Retrieved 11 February CBS Interactive. Retrieved 16 January Daily Mirror.

    The Телесориал York Times. The Washington Post. Телсериал Independent. The Guardian. Retrieved 20 February New York. Netflix original current series. BoJack Секс. Cable Girls Dark Ingobernable Suburra. Nailed It! Show Wild Wild Country. Continuation series template Ended series template Specials template Телесериаш series template. Categories : s British comedy-drama television series s British LGBT-related comedy television series s British LGBT-related drama television series s British sex comedy television series s British teen television series s high school television series s teen drama television series British television series debuts British high school television series British teen drama television series English-language television programs Gay-related television programs Lesbian-related television programs Male sexual fluidity in fiction Netflix original programming Television shows filmed in the United Kingdom British teen drama web series.

    Hidden categories: Секс with short description Use British English from November Use dmy телесериал from November Pages using infobox television with editor parameter Netflix title ID same as Wikidata Pages containing links to subscription-only content.

    Namespaces Article Talk. Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy. Official website. Otis, a sixth form student whose mother Jean is a sex therapist, struggles with his inability to masturbate. His best friend Eric, who is openly gay, informs him that everyone in their class has had sex over the summer, except Otis.

    Adam, the school bully and the son of the headmaster, is unable to orgasm after sex with his girlfriend Aimee. Aimee толесериал her troubles with Maeve, who has a reputation for being promiscuous. Adam and Otis are assigned partners; when Adam comes over to Otis's house, he discovers all of Jean's paraphernalia despite Otis's efforts to hide it. The next day, Adam tells everyone in class, causing an embarrassed Otis телесериал rush out, with Maeve going after him.

    Later, they find Adam телесеричл an abandoned building, unable to calm down after having taken three Viagra pills. Adam explains his situation, and Otis gives him advice to own his narrative. The next day, Adam exposes himself in front of the entire cafeteria as a means of "owning his narrative. Maeve proposes to Otis телесприал they run a sex therapy clinic at the school — with Maeve handling the logistics and Otis providing the therapy — and split the profits. Aimee hosts a house party where Otis and Телесериал attempt to find clients by giving out free advice based on a "product sample" idea by Eric.

    Eric attempts to teach the girls how to properly perform fellatio, but while practising on bananas, one girl's gag reflex kicks in, leading to ц.

    Otis locks himself in the bathroom тнлесериал a couple who injured themselves during an attempt at sex, and provides valuable therapy. Adam breaks into телемериал party and finds Aimee talking to another guy; he smashes a vase full of Aimee's grandmother's ashes into the new guy's head. Jean struggles with Otis being distant from her as he feels she is too intrusive. Maeve, who секс that she is pregnant, has sex with Jackson to take her mind off things; but he wants a more concrete relationship with her.

    Dejected due to her pregnancy, she tells Otis she plans to call the sex therapy off. The next day, several сркс approach Otis for advice. Enlightened, he tells Maeve he intends to continue with the plan. Otis has a wet dream about Maeve and ejaculates, which he unsuccessfully tries to hide from Jean.

    It is discovered that Jackson consumes Risperidone At the abortion clinic, Maeve finds out that the clinic's policy requires someone to come pick her up; she asks Otis and he agrees, thinking it is a date. Eric is selected for the Swing Band, and clarinettist Lily offers to help him catch секс to speed. At Eric's place, Lily tries to have sex with him, but they end up playing with makeup and watching gay porn once she discovers Eric is gay. Otis goes early to the clinic and gets kicked out; he offers relationship advice to a pro-life couple protesting outside the clinic.

    Miss Sands, the English teacher, accuses Maeve of plagiarising a paper, but encourages her to put her talent to better use. Jackson wins a swim meet, but is still pushed on by his mother to achieve greater things.

    Jackson is saddened to see that Maeve was not in attendance. After the abortion, Otis walks Maeve home, and they share a heartfelt hug. Maeve and Otis continue texting, while Jackson looks for ways to ask Maeve телнсериал be his girlfriend.

    Jackson approaches Otis for advice and pays him upfront; when Otis attempts to return the money, he unwittingly offers Jackson tips about Maeve's interests. Jackson uses the information to get closer телесериал Maeve. Jean is attracted to the handyman Jakob, who has секс to fix her bathroom. When Otis is carrying out research for lesbian clients by watching lesbian pornJakob's daughter Ola walks in. Eric gets a job as a dogwalker but causes Adam's телесериал to run off at the park, landing Adam in trouble with his father.

    Lily asks Otis телесериал he would like to have sex with her секс they are both virginsbut he declines. Otis has another session with his clients in the school swimming pool but doesn't make any progress. Afterwards, Maeve and Otis wind up playfighting in the pool, with Otis getting an erection that he hides from Maeve. When Jackson asks Otis for advice on how to ask Maeve out, he suggests a grand gesture in the hopes of sabotage. Jackson's grand gesture works, and Maeve agrees to be his girlfriend.

    Jackson invites Maeve over for dinner to meet his parents, as they have been dating for a month. The encounter starts going south when the parents enquire about Maeve's parents, so she sneaks out of the талесериал door. Later, she apologises to Jackson and comes clean about her dysfunctional family, prompting Jackson to talk about his insecurities.

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    This Code reflects the responsibility of licensees, under the Broadcasting Act, to assure that their programming and broadcast services achieve the highest professional standards and телесериал the broadcasters' commitment to the fair and equitable portrayal of all persons in television and radio programming. Negative or inequitable portrayal and representation of women or men can be expressed explicitly in programs and commercial messages, as well as implicitly through images, dialogue and character portrayal.

    Canadian broadcasters recognize the cumulative effect of negative and inequitable sex role portrayal, and seek to address телесериал issue effectively and responsibly with this Code, which replaces the previous CAB Voluntary Guidelines on Sex Role Stereotyping.

    Further public consultation occurred with individuals recognized as knowledgeable in this field. The телесериал of this Code is to serve as an effective guide to program development, production, acquisition and scheduling, recognizing that there can be no clearly defined set of criteria universally applicable to all Canadian communities at all times.

    While the development of this Code, and other initiatives undertaken by Canadian private broadcasters in the area of sex role portrayal are certain to have a positive effect, it needs to be understood that these guidelines can have minimal effect on broadcast signals or programs available in Canada which originate in other countries.

    This Code of conduct dealing with sex role portrayal in television and radio programming is designed to complement the general principles of the CAB Code of Ethics and other CAB voluntary codes.

    The CRTC Report of the Task Force, Images of Women, directed private broadcasters to organize industry initiatives to address the issue of stereotyping in the broadcast media. In Januarythe CRTC released its review of the steps undertaken by broadcasters to sensitize licensees to the issue and to reduce the incidence of unequal portrayal of the sexes in broadcast programming.

    In response to various concerns of the public, as well as broadcasters and the CRTC, the Commission also set challenges for the CAB which included the revision of those Guidelines.

    It is intended to be administered by the Canadian Broadcast Standards Council. It is the intent of this Code that broadcasters shall advance the awareness of, and sensitivity to, the problems related to the negative or inequitable sex role portrayal of persons. This Code is intended to assist in overcoming systemic discrimination portrayed in broadcast programming, based on gender.

    Television and radio programming and commercial messages shall strive to present an equitable representation of women and men in various social and occupational roles, at home and at work outside the home. It is the responsibility of television and radio broadcasters to ensure that the provisions of the Code are brought to the attention of those persons within their employ entrusted with program development and production, program acquisition decisions, and commercial message production.

    However, broadcasters shall avoid and eliminate the depiction of gratuitous harm toward individuals in a sexual context, as well as the promotion of sexual hatred and degradation.

    Neither sex should be subject to degradation from gratuitous acts of violence. Television broadcasters and the public should also refer to the CAB Violence Code, which contains a general provision concerning violence against women. Секс this context, programmers shall make every effort to continue to eliminate negative sex role portrayals, thereby encouraging the further development of positive and progressive sex role models. The availability of any program to viewers, from other sources within a телесериал coverage area, should also be a recognized factor in assessing program selection.

    Therefore, the CAB expects such circumstances to be dealt with in the spirit and intent of this Code. The CAB Sex Role Guidelines are designed so that any interpretation of sex role differentiation in television and radio programming is assessed in the dramatic or informational context of a program, feature, character, dialogue, voice over or visual interpretation; recognizing that balance in presentation within a specific or individual program is not always possible or desirable.

    Application of this Code is the responsibility of the individual licensee. Complaints and inquiries should be addressed to and dealt with by the broadcasting entity involved. The CAB will work with the Canadian Broadcast Standards Council to create awareness of this Code, by distributing copies to interested parties, as well as encouraging those broadcasters who subscribe to the Code to broadcast relevant public service announcements.

    Non Sexist Language is language that does not exclude one sex or give inequitable treatment on the basis of gender. Negative or Inequitable Sex Role Portrayal refers to language, attitudes or representations which tend to associate particular roles, modes of behaviour, characteristics, attributes or products to people on the basis of gender, without taking them into consideration as individuals. Negative or inequitable portrayal of секс and men can be both explicit and implied.

    Systemic Discrimination refers to action or treatment by organizations or a society which is categorically prejudiced against an individual or another group on the basis of gender, and which denies opportunity and advancement to an individual or телесериал. Voice Overs are the audio overlays of dialogue, monologue or conversation in a television program, program segment, commercial, promotion or station break that do not come directly from the mouths of characters appearing on screen.

    This definition does not apply to portions of a news item, which are part of a stand alone news report done by an individual correspondent. In radio, voice over refers to the statement of information in station produced advertising in which the announcer does not assume a particular character and is essentially anonymous.

    Broadcasters recognize the changing interaction of women and men in today's society. Women and men shall be portrayed, in programming, in a wide range of roles, both traditional and non traditional, in paid work, social, family and leisure activities.

    The roles and opportunities for both sexes are becoming more diverse due to such factors as the elimination of female only and male only occupations, changing patterns of parenting and lifestyles.

    Women and girls should be portrayed in a range телесериал roles as diverse as that shown for men and boys. Men should not always be portrayed as the aggressor in personal relationships. Canadian society has evolved to where there is no single contemporary family structure, but rather a range of family lifestyles and family arrangements which differ across cultures, geographic regions and economic circumstances.

    Women and men should participate on an equitable basis in organizing such family activities as health care and financial matters, encompassing a wide range of responsibilities and decision making roles. The interpretation of this provision depends to a large extent on individual experience and beliefs, and is therefore open to discussion.

    Television and radio programming should portray women and men as equal beneficiaries of the positive attributes of family or single person life. Women and men should perform in a range of occupations and function as intellectual and emotional equals in all types of thematic circumstances. This should be the case for both work and leisure activities requiring varying degrees of intellectual competence.

    Women and men should be portrayed as working toward a comfortable existence through mutual support, both economically and emotionally, and in both public and private spheres. Despite the problems of societal systemic discrimination, television and radio programming should reflect an awareness of the need to avoid and overcome discrimination on the basis of gender.

    Television and radio programming shall portray the wide spectrum of Canadian life. Women and men shall be portrayed with fair and equitable demographic diversity taking into account age, civil status, race, ethnocultural origin, physical appearance, sexual orientation, background, religion, occupation, socio economic condition and leisure activities, while actively pursuing a wide range of interests.

    Portrayals should also take into account the roles and contributions of the mentally, physically and socially challenged. Compared to men, the portrayal of women секс television programming has often been more restricted with respect to age, appearance, background, occupation, lifestyle and interests.

    Additionally, the elderly, the disabled, and native peoples have also been under represented. Special attention should be paid to increasing the portrayal of ethnic and visible minorities, whose presence constitutes an ever expanding aspect of Canadian society.

    Television and radio programming shall refrain from the exploitation of women, men and children. Negative or degrading comments on the role and nature of women, men or children in society shall be avoided. Modes of dress, camera focus on areas of the body and similar modes of portrayal should not be degrading to either sex. The sexualization of children секс dress or behaviour is not acceptable. Equality of the sexes must be recognized and reinforced through the proper use of language and terminology.

    Broadcasters shall employ language of a non sexist nature in their programming, by avoiding, whenever possible, expressions which relate to only one gender. Sexist language is language that unnecessarily excludes one телесериал or gives unequal treatment to women and men.

    Such language may perpetuate attitudes or representations of persons which tend to attribute particular roles and characteristics on the basis of their gender, without taking them into consideration as individuals. Broadcasters shall achieve a realistic balance in the use of women and men as voice overs and as experts and authorities. Significant positive change toward an eventual goal of equal representation should be demonstrated. The objective should be accomplished in realistic and progressive increments.

    Broadcasters shall increase the visibility and involvement of women in broadcasting, both on and off the air. Significant positive change should be demonstrated, e. The objective should be accomplished in realistic and progressive increments, and in a manner consistent with the broadcast industry's responsibilities pursuant to Employment Equity legislation. Initiatives in this area should include women and men who are disabled, as well as persons who are members of ethnic and visible minorities.

    Broadcasters shall exercise sensitivity to and awareness of the problems associated with sex role portrayal in the development of domestic programming, and in the acquisition of non Canadian programming for broadcast. In the development of domestic programs, broadcasters shall make station production staff aware of the Code, to ensure that local station programming conforms to the various aspects of sex role portrayal outlined in the Code. In the development, financing or acquisition of domestic programs produced by other than station or network staff, broadcasters shall ensure that participating independent producers and syndicators are aware of the Code.

    In the acquisition of, or involvement in, non Canadian programming, broadcasters should make every effort to evaluate program concepts relative to the Code. The various aspects of sex role portrayal dealt with in the appropriate clauses of the Code shall apply to portrayal in commercial messages.

    Women and men should be portrayed in commercial messages with diversity in age, abilities, physical appearance, ethnic origin, occupation, family structure and household responsibilities. Station staff responsible for the production of locally created messages shall be advised of the provisions of the Code, to be taken into account in the production of local commercial messages. In секс of nationally created commercial messages, broadcasters shall work closely with established organizations, such as the Telecaster Committee and the Canadian Advertising Foundation CAFto advocate the provisions of the Code and to co operate in the ongoing educational process to increase awareness of the Code in the advertising industry.

    Non sexist language shall be used whenever possible. Overt sexual exploitation of either sex and gratuitous violence is to be avoided. North America: Canada Canadian Broadcast Standards Council: Sex Role Portrayal Code for Television and Radio Programming Current Status: unknown I - Introduction This Code секс the responsibility of licensees, under the Broadcasting Act, to assure that their programming and broadcast services achieve the highest professional standards and demonstrates the broadcasters' commitment to the секс and equitable portrayal of all persons in television and radio programming.

    III - Statement of Intent It is the intent of this Code that broadcasters shall advance the awareness of, and sensitivity to, the problems related to the negative or inequitable sex role portrayal of persons.

    IV - General Principles a The objective of equal representation is recognized and the portrayal of women and men shall be comparable to, and reflective of, their actual social and professional achievements, contributions, interests and activities.

    V - Interpretation The CAB Sex Role Guidelines are designed so that any interpretation of sex role differentiation in television and radio programming is assessed in the dramatic or informational context of a program, feature, character, dialogue, voice over or visual interpretation; recognizing that balance in presentation within a specific or individual program is not always possible or desirable.

    Guidance: The roles and opportunities for both sexes are becoming more diverse due to such factors as the elimination of female only and male only occupations, changing patterns of parenting and lifestyles. Guidance: Canadian society has evolved to where there is no single contemporary family structure, but rather a range of family lifestyles and family arrangements which differ across cultures, geographic regions and economic circumstances.

    Guidance: The interpretation of this provision depends to a large extent on individual experience and beliefs, and is therefore open to discussion. Guidance: Women and men should be portrayed as working toward a comfortable existence through mutual support, both economically and emotionally, and in both public and private spheres.

    Guidance: Compared to men, the portrayal of women in television programming has often been more restricted with respect to age, appearance, background, occupation, lifestyle and interests. Guidance: Sexist language is language that unnecessarily excludes one sex or gives unequal treatment to women and men. Guidance: Significant positive change toward an eventual goal of equal representation should be demonstrated.

    Guidance: In the development of domestic programs, broadcasters shall make station production staff aware of the Code, to ensure that local station programming conforms to the various aspects of sex role portrayal outlined in the Code. Guidance: Station staff responsible for the production of locally created messages shall be телесериал of the provisions of the Секс, to be taken into account in the production of local commercial messages.

    Commercial messages should reflect a balance of women and men as presenters and as voice overs.

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    In the wake of #MeToo, scenes are being choreographed like fights or dances to set boundaries for actors. Since the s, the screening of sex on American, British and Asian television screens has become increasingly prolific. Considering not only the. It's only recently that a specified role to coach actors for love scenes has become mainstream. Ita O'Brien worked on Netflix's “Sex Education.".

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    Sex Education (TV series) - WikipediaSafe sex on set: the rise of intimacy coaches | Television & radio | The Guardian

    Ranging from the cordial, to the steamy, to the… er, bestial, love scenes feature in films to advance секс relationship between certain characters. Some films intentionally feature dodgy intercourse to invoke humor. In this, sex is depicted as corny or crass.

    But for the genuinely romantic depictions, actors and directors can face a секс of challenges. Film sets are often packed, demanding, and tiring. A far cry from the sexy mood you see on screen. Moviegoers generally accept that the first ever on-camera orgasm in a non-pornographic film was in the Czech film "Ecstasy," a romantic drama starring Hedy Lamarr.

    But it's only in the last few years телесериал a specified телесериал to guide and coach секс for love scenes has become mainstream. On " Sex Education ," Ita worked closely with the young cast to bring about authentic storytelling as well as keeping the actors safe on set.

    A scene is broken down into individual movements, with permission секс at each level. And actors do need protecting. Maria Schneider accused director Bernardo Bertolucci of emotionally assaulting телесериал by insisting секс a now-infamous rape scene in 's "Last Tango In Paris. Coordinators like Ita have introduced a few секс to prevent incidents телесериал this from happening. These include hiring a more gender-inclusive crew and encouraging crew members from different areas of production to get involved in an intimacy workshop.

    For scenes that require nudity, female actors can wear a merkin, which is an artificial телесериал for pubic hair. In an interview with Allure magazine, Kate Winslet said producers made her one for her Oscar-winning turn in 's "The Телесериал. Nipple pasties can be worn to cover breasts. Depending on телесериал much skin is being shown, some actors may choose to wear flesh-colored underwear.

    Practical effects can also телесериал scenes. If two people can't keep their hands off each секс, why not add in a little thunder and lightning, or get them soaked in the rain? Glycerin spray, oil, or water can be added to actors' skin to give them that "sweaty" look.

    And then there's the more extreme augmentation. Visual секс have been used to superimpose actors heads on porn actors' bodies. Ju Shardlow. Snapchat icon A ghost.